'The roadmap to world music from a Jewish slant'. We cover Klezmer and more, focusing on the edges and the sounds that express who we are now. We also provide the place for klezmorim, reputable musicians, fans, and scholars to network online.
Here's a recent article by Alexander Gelfund in the Forward about the latest Jon Madof project, Zion80, which mashes up Shlomo Carlebach melodies with West African rhythms:
Klezmer Idol winners, Ezekiel's Wheel, captured live
It was a drizzly, rainy evening as I rode my bicycle to the library for a delightful concert by Ezekiel's Wheel. The band is young, skillful, and inventive. It is a pleasure to listen to people in love with the music explore it live. I also realized how much klezmer has changed, even in the hands of relatively traditionalist players (without speaking of yeshivish or djs and the rock/jazz bands with the one "hava nagila" set—I have never, in fact, heard Ezekiel's Wheel play "Hava Nagila"). Nobody is trying to imitate old '78s any more. The tunes are longer, more danceish, more improvised. And even here, Sephardic music and other influences find their way, both explicitly and otherwise, into the playing. As I said, a delight